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ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 4QB2

The sound was still beautifully natural, consistent, smooth and extremely rich in information. In practice, this meant that the 4QB2 performed its anti-vibration function well by not allowing ambient vibrations to negatively affect the operation of the equipment. The sound coming from the speakers was also precise, clear and resolved, giving good insight not only into the foreground, but also into the deeper layers of the recordings. 

(“Hi-Fi Class”, 03.07.2024)

FINALE/BBS PLATFORM

Regardless of the type of music, the contribution of Finale/BBS could be narrowed down to making the sound more velvet-like and more coherent, but at the same time more readable, down to the minutest details and subtleties. This was not accomplished, however, by emphasising the latter ones, but rather by harnessing them in creating a fuller and more genuine whole.

[Hi-Fi Choice, November 2019]

ROGOZ AUDIO ANTI-VIBRATION AUDIO PLATFORM VOLTA / BBS

Here we are dealing with the highest possible quality and a PREMIUM class product. [. . .] After these several days of listening, I decided to take the ROGOZ AUDIO VOLTA/BBS platform and listen to how the system sounds without it, and unfortunately the lack of this platform is audible. [. . .] It’s all about what we hear and what the perception of music is after a long time, when the new equipment is removed from the system. And I heard that I began to miss something. Maybe not so much in quantity, but in quality. These are nuances to some, but to me and a few of my audiophile friends, they are important things, especially in an analog audio system that is very sensitive to almost anything related to acoustics. The isolation of the turntables from the ground is exemplary in this case. I think that the full potential of such a HI END platform will be exploited by owners of very advanced audio systems, especially if they have proper decoupled audio tables and, most importantly, a room dedicated to music, equipped with a set of acoustical systems that will squeeze the maximum, as much as possible, out of any equipment and room. 

(AUDIOSTEREO 10/2023)

ROGOZ AUDIO ANTI-VIBRATION AUDIO PLATFORM VOLTA/BBS

The platform in the test >>tweaks<< the midrange the most. While the upper range is sweet with it and the low range is nice, somewhat soft, pleasant, the midrange seems to flourish. That’s why Ellington’s piano on the aforementioned CD was so neat with it, so ‘present,’ but it’s also why the recordings of JEAN-MICHEL JARRE’s electronic music included on a CD from the Houston and Lyon concerts sounded in a pleasant, malleable way. And malleability is an important category for this platform. It describes the sensation of three-dimensionality and smooth transitions between blocks of sound.

(“High Fidelity”, No. 209, October 2021)

FINALE/BBS PLATFORM

The Finale / BBS platform improves resolution and differentiation, “darkening” and smoothing the sound. This is a high-end feature of the best high-end components and systems.

[High Fidelity No. 185, October 2019]

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND TRIO/BBS

We are talking about a complete presentation in which all elements have a role to play and which one must fit into one’s expectations. It might not be that difficult since Trio delivers a fantastic sound.

(“High Fidelity”, nr 159/2017)

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND TRIO/BBS

Klanglich bewertete das „blinde“ Auditorium das Rogoz-Rack häufiger als natürlich, räumlich, ruhig, im Bass sehr konturiert und attestierte ein gutes Ausschwingverhalten. [. . . ] Klanglich gefiel beim Rogoz die leicht besänftigend-beruhigende Wirkung auf die Geräte, aber beeindruckend sind auch das Material, die Verarbeitung und das Gewicht.

(Stereo 11/2017)

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND TRIO/BBS

As soon as I heard the guitar from Takeshi Inomata’a The Dialogue, I knew that I was dealing with something other than the usual sound obtained with other anti-vibration racks. Here there is no “slimming”, contouring of the sound, but rather sound gets richer, more energetic. [. . .] It was even more obvious with recordings where the voice was recorded up close to the microphone, as if the rack was able to extract these nuances. Suzanne Vega on Close-Up. Vol.1, Love Songs sounded as if she was sitting in my room.

(Positive Feedback, No. 93 September 2017)

ROGOZ AUDIO 3T1/BBS ANTI-VIBRATION PLATFORM FOR SPEAKER, SIGNAL, AND POWER CABLES

Overall, the message was precise and specific: the sound is better with the platforms. I was literally shocked upon hearing the first sounds “from the floor”, and immediately began to feel sorry that my joy of listening will diminish when I part with the Rogoz Audio 3T1/BBS platforms.

[“HiFi Philosophy”, 23/12/2016/]

ROGOZ AUDIO 3T1/BBS ANTI-VIBRATION PLATFORM FOR SPEAKER, SIGNAL, AND POWER CABLES

When the speaker cables were placed on the platforms, the sound became a bit tighter, closer and loaded. At the same time, my attention was drawn to inconspicuous elements present in many recordings, less noticeable without the platforms. The clarity and sonority of the trebles were also affected. When a piece was played that had some drums fun it in, both metal and wooden, their sound with cables on the platform was more sonorous, melodious and lighter, but not by being less loaded, but by resounding more easily. The better the recording and the more inconspicuous elements it contained, the better they were exposed by the 3T1/BBS.

[“Hi-Fi Choice”, nr 10/2016]

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 5SMX12/BBS

There was an improvement of the sound’s purity and transparency, and a better detail retrieval and more colorful presentation were noticeable when the Vertere landed on this rack. This improvement was primarily a result of a “blacker” background, or in other words of the lower background noise level, which is difficult to notice itself but impacts our perception of music. With both turntables on top of Rogoz I tried thumping and jumping around the rack to check whether or not it would influence playback. It didn’t, which proved a good isolation from even significant vibrations this rack provided.
I did a test with two tube preamplifiers too – my ModWright LS100 and Air Tight ATC-2. Placing them on 5SMX12/BBS shelves resulted on one hand with deepened saturation of sound that seemed even more natural, organic, on the other hand improved control and precision of presentation.

[High Fidelity No. 149, November 2016]

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 5SMX12/BBS

There was an improvement of the sound’s purity and transparency, and a better detail retrieval and more colorful presentation were noticeable when the Vertere landed on this rack. This improvement was primarily a result of a “blacker” background, or in other words of the lower background noise level, which is difficult to notice itself but impacts our perception of music. With both turntables on top of Rogoz I tried thumping and jumping around the rack to check whether or not it would influence playback. It didn’t, which proved a good isolation from even significant vibrations this rack provided. I did a test with two tube preamplifiers too – my ModWright LS100 and Air Tight ATC-2. Placing them on 5SMX12/BBS shelves resulted on one hand with deepened saturation of sound that seemed even more natural, organic, on the other hand improved control and precision of presentation.

(Positive Feedback, No. 88 October 2016)

ROGOZ AUDIO 3RP1/BBS ANTI-VIBRATION PLATFORM

The GOLDEN ANALOG 2015 award is given for products which offer outstanding quality in their price range, and at same time raise standards for products in a given Hi-fi or High-end segment.

ROGOZ-AUDIO ANTIVIBRATION AUDIO STAND 4RP3/BBS

High Fidelity main award – BEST OF THE BEST AUDIO VIDEO SHOW 2015: Studer + Chord + Cabasse + Pro-Ject + Cardas + Rogoz Audio. “The Voice system with the master-tape copy, played on a Studer 807 tape recorder, was a revelation. Listening to the Beatles then, one could understand what people complaining about digital sound really had in mind, and no one has replicated this with digital recordings yet. One of the sound features of the Audio Show was the Voice system, based on Chord products which we had tested, including a RED Reference One MkIII CD player (the test results to be published in December). The speakers used were Cabasse Pacific 3 SA. Three elements constituted sound sources: a Pro-Ject RPM 9 Carbon gramophone, a Chord DAVE DAC, and a Studer 807 tape recorder. All these were placed on a Rogoz Audio stand. [. . . ] One of the important elements of the Voice sound system was a Rogoz Audio stand, created by Mr. Janusz Rogoż (in the photo).”

[High Fidelity No. 139, November 2015]

ROGOZ AUDIO 3T1/BBS ANTI-VIBRATION PLATFORM FOR SPEAKER, SIGNAL, AND POWER CABLES

It is also very interesting how the shaping of the attack changes. Without the stabilizers, the sound is a little drier (this is less marked “personal” acoustics), and it is also less clear and seems softer. Normally it would be an advantage, as natural sound is not contoured and we do not pay attention to the attack – it is there and that’s it. However, here it is related to something a little different. Better defined sound with the stabilizers is more natural and it is not contoured at all. I would say that it is less fuzzy.

ROGOZ AUDIO 3T1/BBS ANTI-VIBRATION PLATFORM FOR SPEAKER, SIGNAL, AND POWER CABLES

The stabilizers make sound become deeper and more gentle. I think that it is about much better reproduction of small signals responsible for the attack and sound finish, as well as about the acoustic surroundings closest to the instruments. It can be heard as an addition of perspective and life to the sound. The former results from better saturation with little details. The sound seems deeper and a bit heavier. However, the effect of weighing down does not result from adding bass, but from greater naturalness of sound. We obtain very similar effects when a device is characterized by low distortion.

(Positive Feedback, 11 January 2015)

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 4SPB3N/BBS

After a while, we realised that this was because of the improved subtlety of reverbs, which were not cut off so quickly. The music acquired smoothness and colour, and, even though it seems contradictory, became even more detailed. Apart from the improvements in the colour, the music scene also expanded. The level of detail in locating the musicians within the scene remained similar, but the surrounding area seems to have grown bigger.

ROGOZ-AUDIO ANTI-VIBRATION PLATFORM 3RP1/BBS

To sum up, the Rogoz Audio 3RP1/BBS platform performed spectacularly in both directions during the test. And there’s no indulgence at all in this opinion, it was just perfect. I frankly admit, I had not expected that. I have nothing more to say other than that I’m all for the platform. The Rogoz platform, that is. The only thing left for me is to negotiate – maybe they’ll let me keep it longer, of course for promotional purposes. That quite unlikely, but hey, a man can hope.

(“HiFi Philosophy”, 10/03/2015)

Rogoz Audio 3RP1/BBS Isolation Board

(Positive Feedback, No. 125 November/December 2014)

ROGOZ-AUDIO ANTI-VIBRATION PLATFORM 3RP1/BBS

HIGH FIDELITY AWARD

“RED Fingerprint award is given throughout the year to products which made an especially powerful impression on their reviewers. Unlike the Best Sound award, which is given by the whole editorial team, Red Fingerprint is a reviewer’s personal award not only to prove that the product is of topmost quality (a prerequisite for the award), but also to appreciate his personal encounter with it. The award is not common, there is one for every fifteen reviews. It is symbolized by a red thumb print, indicating that a High Fidelity reviewer has given the particular product his imprimatur.”

This is the first anti-vibration platform, perhaps excepting Finite Elemente Pagode Edition HD-09, whose timbre was characterized by greater density and whose center of mass was located lower than in the pneumatic platform from Japan, which is my reference. Others, even the best ones, brightened the sound, thinning out the midrange to a lesser or greater degree. Those with top-notch construction design offered specific benefits such as enhanced selectivity and stronger attack, and as a result made the sound more open and dynamic. These are all good things. However, I always used to have a feeling that there was something missing. That feeling would soon pass, only to be replaced by curiosity and respect for the designers, but my awareness of it was still there. This time, respect was accompanied by the feeling of fulfillment. It was as if I had spotted a large piece of amber – on a beach, amongst tangled seaweed – emanating warm light.

(“High Fidelity”, nr 125/2014)

KONKURS 10/10 SPRZĘT, LUDZIE, WYGRANE

Each instrument and each sound seemed to be finer, more prominent and more polished. All of it sounded more exquisite. Consequently, the scene between the speakers deepened and it was possible to define the apparent sound sources with greater precision. […] The bass became faster and more precise, and the highest tones seemed more polished. In terms of the overall effect, the scene and precision improved.

(High Fidelity, nr 10/10 2014)

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 3RP3/BBS

The sound carried more energy, perfectly controlled and focused on the appropriate elements. The speed of the leading, beat and dynamics all improved. The bass became slightly more contoured, somewhat cleaner, which, in turn, improved its differentiation. Another element attesting to the effectiveness of the table was further improvement in relation to the so-called black background.

(“Hi-Fi Choice”, nr 05/2014)

ROGOZ-AUDIO ANTIVIBRATION AUDIO STAND 4SPB3/BBS

Regardless of the loudness level, the stand has a tremendous impact on the stereophonic sound, which suddenly becomes extremely accurate. […] The most spectacular effect is achieved for the bass. […] Although the invoked sound of thunder is an example outside of music, high speed is still necessary to provide real resemblance of the sound of the drums, as this is a typically transient and it is this transience of sound that is vastly improved with the Rogoz stand. […] The Rogoz Audio stand provides unexpectedly significant improvement of a sound system quality.

(“Audio Video” 7-8/2013)

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 4SM3

The sound has better structure, it is more focused and generally all these effects contribute to a more genuine, convincing musical presentation.

(“Hi-Fi Choice”, nr 03/2013)

ROGOZ AUDIO ANTI-VIBRATION AUDIO STAND 4SB2N

An excellent product and a long term affair buy, on a par with more expensive imported counterparts. Outstanding, solid design and definitely positive influence on the sound.

(“The Best Buy” title holder)

(“Hi-Fi Choice”, nr 06/2010)

ROGOZ-AUDIO ANTI-VIBRATION PLATFORM SMO40

It profoundly improves sound quality and looks very smart. It might actually play an additional function of a decorative piece to improve the decor of the listening room.

(“Editor’s Choice” title holder)

(“Hi-Fi Choice”, nr 07/2010)

ROGOZ AUDIO ANTI-VIBRATION SPEAKER STANDS 4QB80

Low tones seem to benefit the most from placing monitor speakers on Rogoz Audio 4QB80 stands, as it is these tones that acquire greater mass, power and clearer dimension. They are more robust, faster, and better defined – lowered and deepened.

(„Stereo i kolorowo”, 31 sierpnia 2014)

ROGOZ AUDIO 4SG50/BBS ANTI-VIBRATION PLATFORM

What improved in particular was the sound energy. Perhaps that is why I had an impression of abundance of everything – both high and low frequencies, mass and space. The sound grew and became more refined.

(“6moons.com”, August 2013)

ROGOZ AUDIO ANTI-VIBRATION PLATFORM 4SG50/BBS

What improved in particular was the sound energy. Perhaps that is why I had an impression of abundance of everything – both high and low frequencies, mass and space. The sound grew and became more refined.

(“High Fidelity”, nr 111/2013)

ROGOZ-AUDIO ANTI-VIBRATION PLATFORM CPPB16

With CPPB16 the sound is well balanced, with no trace of warming or recessed highs. Resolution improves significantly. After moving our reference CD player, and then the amplifier, from a marble platform on to the steel Rogoz Audio CPPB, the number of details increased dramatically and the sound became more open and vivid. The vibes and hi-hats in MJQ recordings left us breathless with their dynamic impact and rhythmic punch.

(“Audio”, 9/2010)

ROGOZ-AUDIO ANTI-VIBRATION PLATFORM 3SG40

Rogoz Audio platform 3SG40 helps restore the right tempo, proportions and tonal balance – not just to some extent, but significantly.

(“High Fidelity”, nr 89/2011)